Could this Scherzo by Beethoven be considered to be a fugue?Beethoven repeated sforzandoHow to Write A FugueGuide to Art of the Fugue?Any information on this tease of a fugue in Beethoven's Hammerklavier?Beethoven piano concerto 3 mvt 3Beethoven sonata pathetique, playing with small handsBeethoven Kreutzer string quintetWhat makes a piece a fugue?Unplayable turn in Beethoven sonataHow to overcome emotional tension with this Beethoven rondo

Custom alignment for GeoMarkers

PTIJ: Who should I vote for? (21st Knesset Edition)

et qui - how do you really understand that kind of phraseology?

Brexit - No Deal Rejection

What favor did Moody owe Dumbledore?

Why one should not leave fingerprints on bulbs and plugs?

Do I need life insurance if I can cover my own funeral costs?

A diagram about partial derivatives of f(x,y)

Why does a Star of David appear at a rally with Francisco Franco?

Are ETF trackers fundamentally better than individual stocks?

Adventure Game (text based) in C++

When to use a slotted vs. solid turner?

How do I hide Chekhov's Gun?

Why do passenger jet manufacturers design their planes with stall prevention systems?

Is it ever recommended to use mean/multiple imputation when using tree-based predictive models?

How difficult is it to simply disable/disengage the MCAS on Boeing 737 Max 8 & 9 Aircraft?

What is the adequate fee for a reveal operation?

How can we have a quark condensate without a quark potential?

Is it true that good novels will automatically sell themselves on Amazon (and so on) and there is no need for one to waste time promoting?

Non-trivial topology where only open sets are closed

Why is a white electrical wire connected to 2 black wires?

How to pronounce "I ♥ Huckabees"?

How to get the n-th line after a grepped one?

Is Manda another name for Saturn (Shani)?



Could this Scherzo by Beethoven be considered to be a fugue?


Beethoven repeated sforzandoHow to Write A FugueGuide to Art of the Fugue?Any information on this tease of a fugue in Beethoven's Hammerklavier?Beethoven piano concerto 3 mvt 3Beethoven sonata pathetique, playing with small handsBeethoven Kreutzer string quintetWhat makes a piece a fugue?Unplayable turn in Beethoven sonataHow to overcome emotional tension with this Beethoven rondo













4















I have listened to the scherzo of Beethoven's Piano Sonata op. 2 no. 3 and it is very fugal in nature. It even has a fugal exposition(though it is dominant, dominant, dominant, dominant of dominant, in terms of the key in which each voice appears, which Bach would never do), which I think is unusual, especially for an early Beethoven piece. Now I'm not saying fugal passages aren't common in Beethoven's pieces because they are. But they usually don't have a true exposition and are thus more like a canon in that sense than a fugue(except that a canon wouldn't have countersubjects, just the same melody delayed and maybe also transposed). This scherzo actually has a true exposition.








Albeit, the trio is very much arpeggios over a bass line which is not fugal at all. But the Scherzo part of the Scherzo and Trio movement is fugal in nature.



Could this Scherzo actually be considered a fugue since it has not only imitation and countersubjects(well at least 1 after the first repeat), but a full exposition(albeit it breaks some Baroque 4 part counterpoint rules, but Beethoven was an innovative composer who broke the rules because they deserved to be broken)?










share|improve this question


























    4















    I have listened to the scherzo of Beethoven's Piano Sonata op. 2 no. 3 and it is very fugal in nature. It even has a fugal exposition(though it is dominant, dominant, dominant, dominant of dominant, in terms of the key in which each voice appears, which Bach would never do), which I think is unusual, especially for an early Beethoven piece. Now I'm not saying fugal passages aren't common in Beethoven's pieces because they are. But they usually don't have a true exposition and are thus more like a canon in that sense than a fugue(except that a canon wouldn't have countersubjects, just the same melody delayed and maybe also transposed). This scherzo actually has a true exposition.








    Albeit, the trio is very much arpeggios over a bass line which is not fugal at all. But the Scherzo part of the Scherzo and Trio movement is fugal in nature.



    Could this Scherzo actually be considered a fugue since it has not only imitation and countersubjects(well at least 1 after the first repeat), but a full exposition(albeit it breaks some Baroque 4 part counterpoint rules, but Beethoven was an innovative composer who broke the rules because they deserved to be broken)?










    share|improve this question
























      4












      4








      4








      I have listened to the scherzo of Beethoven's Piano Sonata op. 2 no. 3 and it is very fugal in nature. It even has a fugal exposition(though it is dominant, dominant, dominant, dominant of dominant, in terms of the key in which each voice appears, which Bach would never do), which I think is unusual, especially for an early Beethoven piece. Now I'm not saying fugal passages aren't common in Beethoven's pieces because they are. But they usually don't have a true exposition and are thus more like a canon in that sense than a fugue(except that a canon wouldn't have countersubjects, just the same melody delayed and maybe also transposed). This scherzo actually has a true exposition.








      Albeit, the trio is very much arpeggios over a bass line which is not fugal at all. But the Scherzo part of the Scherzo and Trio movement is fugal in nature.



      Could this Scherzo actually be considered a fugue since it has not only imitation and countersubjects(well at least 1 after the first repeat), but a full exposition(albeit it breaks some Baroque 4 part counterpoint rules, but Beethoven was an innovative composer who broke the rules because they deserved to be broken)?










      share|improve this question














      I have listened to the scherzo of Beethoven's Piano Sonata op. 2 no. 3 and it is very fugal in nature. It even has a fugal exposition(though it is dominant, dominant, dominant, dominant of dominant, in terms of the key in which each voice appears, which Bach would never do), which I think is unusual, especially for an early Beethoven piece. Now I'm not saying fugal passages aren't common in Beethoven's pieces because they are. But they usually don't have a true exposition and are thus more like a canon in that sense than a fugue(except that a canon wouldn't have countersubjects, just the same melody delayed and maybe also transposed). This scherzo actually has a true exposition.








      Albeit, the trio is very much arpeggios over a bass line which is not fugal at all. But the Scherzo part of the Scherzo and Trio movement is fugal in nature.



      Could this Scherzo actually be considered a fugue since it has not only imitation and countersubjects(well at least 1 after the first repeat), but a full exposition(albeit it breaks some Baroque 4 part counterpoint rules, but Beethoven was an innovative composer who broke the rules because they deserved to be broken)?















      piano beethoven fugue






      share|improve this question













      share|improve this question











      share|improve this question




      share|improve this question










      asked 2 hours ago









      CatersCaters

      1,0721821




      1,0721821




















          1 Answer
          1






          active

          oldest

          votes


















          4














          This is not a fugue, nor a fugato section within a larger work. I get the comparison with a fugal exposition but I think this is being too loose. Too many expectations of a fugal exposition aren't present. The music doesn't preserve the polyphonic texture, indeed as much of the scherzo's texture is homophonic. This is just free imitation.



          The last movements of Op 101 and Op 106 are examples of genuine fugal writing in Beethoven's sonatas.






          share|improve this answer






















            Your Answer








            StackExchange.ready(function()
            var channelOptions =
            tags: "".split(" "),
            id: "240"
            ;
            initTagRenderer("".split(" "), "".split(" "), channelOptions);

            StackExchange.using("externalEditor", function()
            // Have to fire editor after snippets, if snippets enabled
            if (StackExchange.settings.snippets.snippetsEnabled)
            StackExchange.using("snippets", function()
            createEditor();
            );

            else
            createEditor();

            );

            function createEditor()
            StackExchange.prepareEditor(
            heartbeatType: 'answer',
            autoActivateHeartbeat: false,
            convertImagesToLinks: false,
            noModals: true,
            showLowRepImageUploadWarning: true,
            reputationToPostImages: null,
            bindNavPrevention: true,
            postfix: "",
            imageUploader:
            brandingHtml: "Powered by u003ca class="icon-imgur-white" href="https://imgur.com/"u003eu003c/au003e",
            contentPolicyHtml: "User contributions licensed under u003ca href="https://creativecommons.org/licenses/by-sa/3.0/"u003ecc by-sa 3.0 with attribution requiredu003c/au003e u003ca href="https://stackoverflow.com/legal/content-policy"u003e(content policy)u003c/au003e",
            allowUrls: true
            ,
            noCode: true, onDemand: true,
            discardSelector: ".discard-answer"
            ,immediatelyShowMarkdownHelp:true
            );



            );













            draft saved

            draft discarded


















            StackExchange.ready(
            function ()
            StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f81554%2fcould-this-scherzo-by-beethoven-be-considered-to-be-a-fugue%23new-answer', 'question_page');

            );

            Post as a guest















            Required, but never shown

























            1 Answer
            1






            active

            oldest

            votes








            1 Answer
            1






            active

            oldest

            votes









            active

            oldest

            votes






            active

            oldest

            votes









            4














            This is not a fugue, nor a fugato section within a larger work. I get the comparison with a fugal exposition but I think this is being too loose. Too many expectations of a fugal exposition aren't present. The music doesn't preserve the polyphonic texture, indeed as much of the scherzo's texture is homophonic. This is just free imitation.



            The last movements of Op 101 and Op 106 are examples of genuine fugal writing in Beethoven's sonatas.






            share|improve this answer



























              4














              This is not a fugue, nor a fugato section within a larger work. I get the comparison with a fugal exposition but I think this is being too loose. Too many expectations of a fugal exposition aren't present. The music doesn't preserve the polyphonic texture, indeed as much of the scherzo's texture is homophonic. This is just free imitation.



              The last movements of Op 101 and Op 106 are examples of genuine fugal writing in Beethoven's sonatas.






              share|improve this answer

























                4












                4








                4







                This is not a fugue, nor a fugato section within a larger work. I get the comparison with a fugal exposition but I think this is being too loose. Too many expectations of a fugal exposition aren't present. The music doesn't preserve the polyphonic texture, indeed as much of the scherzo's texture is homophonic. This is just free imitation.



                The last movements of Op 101 and Op 106 are examples of genuine fugal writing in Beethoven's sonatas.






                share|improve this answer













                This is not a fugue, nor a fugato section within a larger work. I get the comparison with a fugal exposition but I think this is being too loose. Too many expectations of a fugal exposition aren't present. The music doesn't preserve the polyphonic texture, indeed as much of the scherzo's texture is homophonic. This is just free imitation.



                The last movements of Op 101 and Op 106 are examples of genuine fugal writing in Beethoven's sonatas.







                share|improve this answer












                share|improve this answer



                share|improve this answer










                answered 2 hours ago









                repletereplete

                2,490518




                2,490518



























                    draft saved

                    draft discarded
















































                    Thanks for contributing an answer to Music: Practice & Theory Stack Exchange!


                    • Please be sure to answer the question. Provide details and share your research!

                    But avoid


                    • Asking for help, clarification, or responding to other answers.

                    • Making statements based on opinion; back them up with references or personal experience.

                    To learn more, see our tips on writing great answers.




                    draft saved


                    draft discarded














                    StackExchange.ready(
                    function ()
                    StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f81554%2fcould-this-scherzo-by-beethoven-be-considered-to-be-a-fugue%23new-answer', 'question_page');

                    );

                    Post as a guest















                    Required, but never shown





















































                    Required, but never shown














                    Required, but never shown












                    Required, but never shown







                    Required, but never shown

































                    Required, but never shown














                    Required, but never shown












                    Required, but never shown







                    Required, but never shown







                    Popular posts from this blog

                    How should I use the fbox command correctly to avoid producing a Bad Box message?How to put a long piece of text in a box?How to specify height and width of fboxIs there an arrayrulecolor-like command to change the rule color of fbox?What is the command to highlight bad boxes in pdf?Why does fbox sometimes place the box *over* the graphic image?how to put the text in the boxHow to create command for a box where text inside the box can automatically adjust?how can I make an fbox like command with certain color, shape and width of border?how to use fbox in align modeFbox increase the spacing between the box and it content (inner margin)how to change the box height of an equationWhat is the use of the hbox in a newcommand command?

                    Doxepinum Nexus interni Notae | Tabula navigationis3158DB01142WHOa682390"Structural Analysis of the Histamine H1 Receptor""Transdermal and Topical Drug Administration in the Treatment of Pain""Antidepressants as antipruritic agents: A review"

                    inputenc: Unicode character … not set up for use with LaTeX The Next CEO of Stack OverflowEntering Unicode characters in LaTeXHow to solve the `Package inputenc Error: Unicode char not set up for use with LaTeX` problem?solve “Unicode char is not set up for use with LaTeX” without special handling of every new interesting UTF-8 characterPackage inputenc Error: Unicode character ² (U+B2)(inputenc) not set up for use with LaTeX. acroI2C[I²C]package inputenc error unicode char (u + 190) not set up for use with latexPackage inputenc Error: Unicode char u8:′ not set up for use with LaTeX. 3′inputenc Error: Unicode char u8: not set up for use with LaTeX with G-BriefPackage Inputenc Error: Unicode char u8: not set up for use with LaTeXPackage inputenc Error: Unicode char ́ (U+301)(inputenc) not set up for use with LaTeX. includePackage inputenc Error: Unicode char ̂ (U+302)(inputenc) not set up for use with LaTeX. … $widehatleft (OA,AA' right )$Package inputenc Error: Unicode char â„¡ (U+2121)(inputenc) not set up for use with LaTeX. printbibliography[heading=bibintoc]Package inputenc Error: Unicode char − (U+2212)(inputenc) not set up for use with LaTeXPackage inputenc Error: Unicode character α (U+3B1) not set up for use with LaTeXPackage inputenc Error: Unicode characterError: ! Package inputenc Error: Unicode char ⊘ (U+2298)(inputenc) not set up for use with LaTeX