How do I know where to place holes on an instrument?What factors to consider when inventing a new (lab) instrument?Tutorials or advice on layering synthsWhy do people place amps on top of things?How to connect a line signal to a guitar amp?Note Accentuation (Dynamic) - When should/shouldn't you apply accentuation?Reed of the Duduk —how to get a sound?A seriously difficult question about mistakes and intepretation of musicMy guitar instrument produced a perfect sine wave?How do uncovered tone holes in middle of a flute work?Is there some means of expanding the range of a capped reed instrument?

How seriously should I take size and weight limits of hand luggage?

What about the virus in 12 Monkeys?

Why is this clock signal connected to a capacitor to gnd?

How do conventional missiles fly?

GFCI outlets - can they be repaired? Are they really needed at the end of a circuit?

Examples of smooth manifolds admitting inbetween one and a continuum of complex structures

What does the expression "A Mann!" means

Why are the 737's rear doors unusable in a water landing?

Can my sorcerer use a spellbook only to collect spells and scribe scrolls, not cast?

Is "remove commented out code" correct English?

How to compactly explain secondary and tertiary characters without resorting to stereotypes?

Why do bosons tend to occupy the same state?

Why can't we play rap on piano?

Dreadful Dastardly Diseases, or Always Atrocious Ailments

Why is consensus so controversial in Britain?

How dangerous is XSS?

What does “the session was packed” mean in this context?

How to prevent "they're falling in love" trope

Why no variance term in Bayesian logistic regression?

How do I know where to place holes on an instrument?

What is the most common color to indicate the input-field is disabled?

Venezuelan girlfriend wants to travel the USA to be with me. What is the process?

Ambiguity in the definition of entropy

Alternative to sending password over mail?



How do I know where to place holes on an instrument?


What factors to consider when inventing a new (lab) instrument?Tutorials or advice on layering synthsWhy do people place amps on top of things?How to connect a line signal to a guitar amp?Note Accentuation (Dynamic) - When should/shouldn't you apply accentuation?Reed of the Duduk —how to get a sound?A seriously difficult question about mistakes and intepretation of musicMy guitar instrument produced a perfect sine wave?How do uncovered tone holes in middle of a flute work?Is there some means of expanding the range of a capped reed instrument?













4















I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/fracnv4L$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?










share|improve this question






















  • I guess the answer is guess! :D It may also be trial and error.

    – Xilpex
    6 hours ago















4















I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/fracnv4L$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?










share|improve this question






















  • I guess the answer is guess! :D It may also be trial and error.

    – Xilpex
    6 hours ago













4












4








4








I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/fracnv4L$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?










share|improve this question














I've been trying to build a double reeded instrument out of plastic straws. I've run into a problem though, when I place fingering holes, the instrument doesn't seem to follow the $$f=/fracnv4L$$ formula. Is there a formula that would allow me to calculate where along the instrument I should place the holes?







acoustics construction reeds






share|improve this question













share|improve this question











share|improve this question




share|improve this question










asked 6 hours ago









tox123tox123

1187




1187












  • I guess the answer is guess! :D It may also be trial and error.

    – Xilpex
    6 hours ago

















  • I guess the answer is guess! :D It may also be trial and error.

    – Xilpex
    6 hours ago
















I guess the answer is guess! :D It may also be trial and error.

– Xilpex
6 hours ago





I guess the answer is guess! :D It may also be trial and error.

– Xilpex
6 hours ago










2 Answers
2






active

oldest

votes


















3














The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.



In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.






share|improve this answer






























    2














    In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.



    But we don't live in a perfect world.



    Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.



    Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.



    Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)



    There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.






    share|improve this answer























      Your Answer








      StackExchange.ready(function()
      var channelOptions =
      tags: "".split(" "),
      id: "240"
      ;
      initTagRenderer("".split(" "), "".split(" "), channelOptions);

      StackExchange.using("externalEditor", function()
      // Have to fire editor after snippets, if snippets enabled
      if (StackExchange.settings.snippets.snippetsEnabled)
      StackExchange.using("snippets", function()
      createEditor();
      );

      else
      createEditor();

      );

      function createEditor()
      StackExchange.prepareEditor(
      heartbeatType: 'answer',
      autoActivateHeartbeat: false,
      convertImagesToLinks: false,
      noModals: true,
      showLowRepImageUploadWarning: true,
      reputationToPostImages: null,
      bindNavPrevention: true,
      postfix: "",
      imageUploader:
      brandingHtml: "Powered by u003ca class="icon-imgur-white" href="https://imgur.com/"u003eu003c/au003e",
      contentPolicyHtml: "User contributions licensed under u003ca href="https://creativecommons.org/licenses/by-sa/3.0/"u003ecc by-sa 3.0 with attribution requiredu003c/au003e u003ca href="https://stackoverflow.com/legal/content-policy"u003e(content policy)u003c/au003e",
      allowUrls: true
      ,
      noCode: true, onDemand: true,
      discardSelector: ".discard-answer"
      ,immediatelyShowMarkdownHelp:true
      );



      );













      draft saved

      draft discarded


















      StackExchange.ready(
      function ()
      StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f82335%2fhow-do-i-know-where-to-place-holes-on-an-instrument%23new-answer', 'question_page');

      );

      Post as a guest















      Required, but never shown

























      2 Answers
      2






      active

      oldest

      votes








      2 Answers
      2






      active

      oldest

      votes









      active

      oldest

      votes






      active

      oldest

      votes









      3














      The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.



      In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.






      share|improve this answer



























        3














        The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.



        In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.






        share|improve this answer

























          3












          3








          3







          The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.



          In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.






          share|improve this answer













          The main problem is that it's an oversimplified assumption to consider an open hole as a perfect open boundary condition for the air column. In fact such a hole still has a significant impedance. On the other side, the mouthpiece is not a perfect closed (reeds) or open (flutes) boundary condition, and also a closed hole still affects the column somewhat. A pitch formula would need to take all those factors into account, which depend on hole size and bore. Doing this accurately would require a big CFD model.



          In practice, probably almost every wind instrument maker has instead used empirical models, i.e. basically trial and error. It should certainly be possible to fit a formula to that which is more accurate than the overidealisation but still reasonably accurate, but whether one is available publicly I don't know.







          share|improve this answer












          share|improve this answer



          share|improve this answer










          answered 4 hours ago









          leftaroundaboutleftaroundabout

          20.7k3690




          20.7k3690





















              2














              In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.



              But we don't live in a perfect world.



              Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.



              Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.



              Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)



              There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.






              share|improve this answer



























                2














                In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.



                But we don't live in a perfect world.



                Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.



                Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.



                Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)



                There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.






                share|improve this answer

























                  2












                  2








                  2







                  In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.



                  But we don't live in a perfect world.



                  Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.



                  Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.



                  Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)



                  There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.






                  share|improve this answer













                  In a perfect world, the fundamental pitch of a pipe is determined by f = v/2L, where v is the speed of sound and L is the length of the pipe.



                  But we don't live in a perfect world.



                  Placing a hole in the pipe shortens its length, but the new length - the effective length - isn't the distance to the hole, because that isn't the end of the pipe. The larger the hole, the more it will behave like the ideal. The smaller the hole, the longer the effective length will be.



                  Because the hole size is a variable, you're not going to find a formula that's going to fit every situation. That's because the hole size is a variable in relation to the diameter of the tube: a 1cm hole in a 10cm tube will have a different effective length than a 1cm hole in a 9cm tube.



                  Since no formula is going to work for all situations, you have do some trial and error. If the pitch is flat, you can enlarge the hole to shorten the effective length. If the pitch is sharp, you'll have to figure out a way to make that hole smaller (or make the whole tube longer - there's a reason woodwinds have multiple pieces!)



                  There are other variables, too... conical bores behave differently than cylindrical ones. But I'm assuming you're using a cylindrical tube.







                  share|improve this answer












                  share|improve this answer



                  share|improve this answer










                  answered 2 hours ago









                  Tom SerbTom Serb

                  1,152110




                  1,152110



























                      draft saved

                      draft discarded
















































                      Thanks for contributing an answer to Music: Practice & Theory Stack Exchange!


                      • Please be sure to answer the question. Provide details and share your research!

                      But avoid


                      • Asking for help, clarification, or responding to other answers.

                      • Making statements based on opinion; back them up with references or personal experience.

                      To learn more, see our tips on writing great answers.




                      draft saved


                      draft discarded














                      StackExchange.ready(
                      function ()
                      StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f82335%2fhow-do-i-know-where-to-place-holes-on-an-instrument%23new-answer', 'question_page');

                      );

                      Post as a guest















                      Required, but never shown





















































                      Required, but never shown














                      Required, but never shown












                      Required, but never shown







                      Required, but never shown

































                      Required, but never shown














                      Required, but never shown












                      Required, but never shown







                      Required, but never shown







                      Popular posts from this blog

                      How should I use the fbox command correctly to avoid producing a Bad Box message?How to put a long piece of text in a box?How to specify height and width of fboxIs there an arrayrulecolor-like command to change the rule color of fbox?What is the command to highlight bad boxes in pdf?Why does fbox sometimes place the box *over* the graphic image?how to put the text in the boxHow to create command for a box where text inside the box can automatically adjust?how can I make an fbox like command with certain color, shape and width of border?how to use fbox in align modeFbox increase the spacing between the box and it content (inner margin)how to change the box height of an equationWhat is the use of the hbox in a newcommand command?

                      Doxepinum Nexus interni Notae | Tabula navigationis3158DB01142WHOa682390"Structural Analysis of the Histamine H1 Receptor""Transdermal and Topical Drug Administration in the Treatment of Pain""Antidepressants as antipruritic agents: A review"

                      inputenc: Unicode character … not set up for use with LaTeX The Next CEO of Stack OverflowEntering Unicode characters in LaTeXHow to solve the `Package inputenc Error: Unicode char not set up for use with LaTeX` problem?solve “Unicode char is not set up for use with LaTeX” without special handling of every new interesting UTF-8 characterPackage inputenc Error: Unicode character ² (U+B2)(inputenc) not set up for use with LaTeX. acroI2C[I²C]package inputenc error unicode char (u + 190) not set up for use with latexPackage inputenc Error: Unicode char u8:′ not set up for use with LaTeX. 3′inputenc Error: Unicode char u8: not set up for use with LaTeX with G-BriefPackage Inputenc Error: Unicode char u8: not set up for use with LaTeXPackage inputenc Error: Unicode char ́ (U+301)(inputenc) not set up for use with LaTeX. includePackage inputenc Error: Unicode char ̂ (U+302)(inputenc) not set up for use with LaTeX. … $widehatleft (OA,AA' right )$Package inputenc Error: Unicode char â„¡ (U+2121)(inputenc) not set up for use with LaTeX. printbibliography[heading=bibintoc]Package inputenc Error: Unicode char − (U+2212)(inputenc) not set up for use with LaTeXPackage inputenc Error: Unicode character α (U+3B1) not set up for use with LaTeXPackage inputenc Error: Unicode characterError: ! Package inputenc Error: Unicode char ⊘ (U+2298)(inputenc) not set up for use with LaTeX